Support

We love creating pioneering projects and exciting performances, but you can’t live on love alone! If you’re inspired to help us, there are several ways you can do this. For a one-off donation, you can support a specific project such as our next recording; The Taste of the Nation.

For a longer-lasting impact for your donation, we’d love to invite you to join our growing group of Friends and Patrons.


The Taste of the Nation - Concertos and Cantatas ‘after the Italian Manner’

Spiritato and Ciara Hendrick

In February 2020, we will embark on a new adventure; the start of a long-term relationship with award-winning record label Delphian Records.

We’ll be joined by mezzo-soprano Ciara Hendrick for The Taste of the Nation - a world premiere recording of music by JC Pepusch, William Corbett and Obadiah Shuttleworth. Having first been introduced to Shuttleworth's music by the research of Dr Andrew Pink, we've tracked down a dazzling collection of early English cantatas and concertos tucked away in the vaults of the British Library.

Alongside the recording, we’ll be performing these remarkable works at Wiltshire Music Centre and Chichester Chamber Concerts. We'll also be giving two workshops, including one for students at the Royal Academy of Music.

We’re very lucky to be 75% funded already, including the generous support of Angel Early Music and the Gemma Classical Music Trust, but we need your help to get us over the finish line and bring this music back to life!

We’re extremely grateful for your support, please take a look at how we’d like to thank you.


Rewards:

£5 Thanks on our website and social media
£15 A copy of our previous album; The Judgment of Paris by Daniel Purcell, plus thanks online
£30 An advance copy of The Taste of the Nation with your name listed as a supporter in the CD booklet
£50 An advance copy of the new CD and your name in the booklet, plus a copy of the score for all the cantatas, signed by Ciara Hendrick
£100+ All of the above plus an invitation to attend the album launch
£250+ Become a Patron for a year - join our growing community of supporters, attend selected rehearsals and meet the players. Plus all of the above


To claim your reward, simply click on the "Donate" button below to make your donation using Paypal


Thanks to our wonderful supporters, we’ve already raised £480 towards our £4000 target. With your help, we'll be even closer to being 100% funded!


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Concert dates:

15th February 2020 – Wiltshire Music Centre, Bradford on Avon

27th February 2020 – Chichester Chamber Concerts, Chichester


Repertoire:

JC Pepusch; Cantatas III and VI; ‘The Spring’ and ‘Chloe’ from 6 English Cantatas, 1710

O Shuttleworth; Two Concertos; Being the first & eleventh
SOLOS
of ye late
Arcangello Corelli
, 1726

JC Pepusch; Cantatas V and VI; ‘Kindly Fate at length release me’ and ‘While pale Britannia pensive sate’ from 6 English Cantatas, 1720

W Corbett; Extracts from Bizzarie Universali , 1728


Why these composers?

Shuttleworth, Corbett and Pepusch were direct contemporaries of Handel, highly admired, virtuoso musicians composing and performing in London. Their music is vibrant, entertaining and wonderfully virtuosic. Handel’s arrival in the early 1700s completely changed music in England, yet his colossal reputation overshadows many composers who contributed greatly to the new fashion for Italianate concertos and cantatas.

Many composers of the earlier ‘Purcellian’ style found themselves outmoded almost overnight. Daniel Purcell, himself a composer in both the old and new styles, despaired at the changing fashions (and fortunes) of the London musical scene. In an essay published with his 1713 collection of cantatas ‘after the Italian manner’, he writes;

The Introducing Italian Opera’s upon the English Stage, has so altered the Taste of this Nation, as to MUSICK, that scarce any thing, but what bears some Resemblance of the Italian Style and Manner, is received with Favour or heard with Patience.

With this turbulent context as the background for our recording, the repertoire we have chosen shines a light on the transition between the old traditions of Purcell, and the new Italian style of Corelli and Handel.

Shuttleworth, a virtuoso violinist, is the first native Englishman to compose in the Concerto Grosso style; his two vivacious concerti remain his only extant works. Pepusch, like Handel a European immigrant, embraced the new fashion for the Italian cantata, whilst recognizing the desire of many for a hybrid Anglo-Italian style. Finally William Corbett, the leader of the orchestra of the Haymarket Theatre in London, travelled extensively in Italy, noting down the traditional music and way of playing for his wonderful collection of concertos; Bizzarie Universali.


The Taste of the Nation is generously supported by

Sarah Smalley

Martin Richards

David Russell

Angel Early Music

The Gemma Classical Music Trust, Registered Charity No. 1121090

The Golsoncott Foundation

The Bishopsdown Trust

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Spiritato is a Registered Charity (no. 1176410)
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